Most made for TV movies in the early 1970s were either kooky
romances ( The Feminist and the Fuzz, The
Girl Who Came Gift Wrapped), or horror/suspense (Trilogy of Terror, When a
Stranger Calls) , but an occasional slice of life drama/social commentary
made its way onto the ABC Movie of the Week. The Neon Ceiling, a drama/romance about a woman escaping a bad
marriage, starred Lee Grant and Gig Young and received good reviews when it was
broadcast in 1971.
Carrie Miller (Lee Grant) is a sensitive, free-spirited
housewife married to a humorless dentist (William Smithers). Their precocious
12 year old daughter Paula (Denise Nickerson) carries around a book on
relationship advice for married couples, and is constantly quoting it and
asking questions far too advanced for her tender years. Her father is able to
deal with Paula’s rambunctious attitude, but not her frail mother, who is
unable to keep her mind on cooking dinner properly, much less sparring with a
smart-mouthed pre-teen. Her husband
pours out his dissatisfaction about their marriage to Carrie one
night, but concludes, “I can’t divorce you. You don’t know how to take care of
yourself.”
After the Doctor falls asleep, Carrie wakes Paula up, and
they get in the car and ride out into the desert, toward no destination in
particular. Later in the film, we discover that this isn’t the first time Carrie
and Paula have taken an impromptu road trip.
Away from the confines of suburbia, mother and daughter talk a lot more,
though it’s apparent that Paula’s strong will and Carrie’s “hothouse flower”
personality don’t mesh. Carrie’s persona is similar to that of Mabel in Cassavetes’ A Woman Under the
Influence, although Carrie stifles her pain rather than act out as Mabel
does.
The car sputters out by desert diner/filling station
inhabited by Jones (Gig Young), a grizzled
loner who lets Carrie & Paula take up residence in the diner. (He sleeps in
a trailer on the property.) The trio become friends/verbal sparring partners. Nickerson
(who later went on to play Violet in Willy
Wonka) steals the movie in the pivotal role as Paula. Jones teaches her how
to drive his truck, and she zooms all over the property while Jones and Carrie watch. The adults begin a friendship that
slowly develops into something deeper, as the outgoing Jones draws Carrie out
of her shell.
The neon ceiling referred to in the title is a collection of
road signs and neon art in the diner
basement. Jones has collected and fashioned these signs through the years.
Carrie and Paula are enchanted by the neon, and stay in the desert for several
weeks. Paula even talks the way into working as a waitress in the diner while
her mother develops a joy for living she lacked back home.
Directed by Frank Pierson ( who wrote Dog Day Afternoon and Cool
Hand Luke ) and written by Carol Sobieski based on one of her short
stories, The Neon Ceiling is one of those
blink and you miss it movies that lives only in the memory of those who watched
it in its initial TV run. Viewers have fond, nostalgic memories of it; there
are several positive user reviews on IMDB from mostly female viewers who remember it vividly from its original
airing. That’s unusual for a TV movie that hasn’t been screened anywhere (to my
knowledge) since the early 1970s.
Lee Grant won an Emmy for her portrayal of Carrie Miller.
Gig Young was nominated for an Emmy for Outstanding Single Performance by an Actor in a
Leading Role, and the film was also nominated for Best Editing and Cinematography.
The Neon Ceiling is a good time
capsule of the social and moral climate of the late ‘60s and early ‘70s. Some the dialogue is wince-worthy in 2012,
though, such as the scene where a family doctor wonders why Carrie and her hubby
only have one child. The film isn’t a good candidate for DVD
release, but it’s currently available on YouTube (see video below), along with other ABC Movies
of the Week.
