If you’ve read Motley Crue’s The Dirt or seen the
Penelope Spheeris documentary The Decline of Western Civilization Part II:
The Metal Years, you probably have a good idea what it was like to be in a hair
metal band in L.A. in the late ‘80s.
But you didn’t learn about the day to day drudgery,
desperation, and infighting that the struggle for a record contract entailed.
Billy McCarthy’s Beat Me Til I’m Famous follows the
career of a third-tier (or fourth-tier, depending on your criteria) hair metal
band called D’Molls. McCarthy was the band’s drummer, and he went by the name
Billy Dior. The book offers a blow-by-blow description of what it was like to
be in a hometown band (or bands), and finagle your way out of the Midwest
to make in big in mid/late 1980s L.A.
McCarthy joined the D’Molls in the mid-'80s in Chicago ,
and they soon moved to L.A. to vie
for a recording contract with hundreds of other bands. By the time they signed to Atlantic Records, the public’s appetite for guys with big hair and makeup
who sang about sluts was fading. And, of course, there were the usual management and record company screw-ups that added to the band's bad fortune.
The side characters in Beat Me Til I’m Famous are
often as interesting as the main players. There’s Rodney’ Dangerfield’s
songwriter son, Brian, various shady record company people, managers, groupies,
professional rock star girlfriends, sneaky, cutthroat band members, drug
dealers, and pushy hangers-on. In fame-hungry Hollywood ,
there was always someone willing to give a band money and a place to crash, and hope to get a piece of the action if the band made it.
Beat Me Til I’m Famous captures the sleazy minutiae of the hair metal era with an
intelligence and self-awareness you wouldn’t expect to find from someone in that scene.
In 2011, McCarthy sued Poison over authorship of "Talk Dirty to Me" and some other songs. The D’Molls Wiki entry says the lawsuit was settled with McCarthy
receiving an “undeclared sum”, but this is the only mention I’ve found online
about any settlement. (McCarthy played in a band called Screamin’ Mimis with
C.C. Deville in 1984.)