Showing posts with label KROQ. Show all posts
Showing posts with label KROQ. Show all posts

Sunday, July 29, 2012

From the Archives: Inland Invasion/25 Years Of Punk: Devore CA 9/14/02 : Sex Pistols, X, Buzzcocks, Bad Religion, etc.





 This article originally appeared on Suite101.com in 2002. Since Suite101 has purged most of its older articles, I'm posting it here for hysterical, I mean, historical (??) purposes. It was one of the first articles I wrote after rediscovering punk rock after years as a metalhead.



Inland Invasion/25 Years Of Punk
Devore CA 9/14/02
Sex Pistols, X, Buzzcocks, Bad Religion, etc.

Review first published September 16, 2002.



On September 14th, the much-ballyhooed 25th anniversary of punk concert took place in Devore, CA. The show was not an all-inclusive representation, as it boasted no San Francisco or New York bands. .Most of the featured bands were from SoCal. and a few British innovators, including the best punk rock band ever, the antithesis of humankind … the Sex Pistols.

 My boyfriend and I spent a few hours waiting by will call to get our passes. Plenty of time to at least hear the bands on the second stage and see outlines of dust being  funneled around. I found out later that a few people had been stabbed by the second stage - at least that was the rumor going around. Well, with bands like the Circle Jerks, TSOL, the Adolescents and the Distillers playing, you ain’t gonna get roses thrown at ya. With the exception of Birmingham, England based GBH, all the second stage bands hailed from Southern California.

The parade of  T-shirts on incoming fans was mind-boggling! Everything from all the bands who were playing  to the Ramones, X - Ray Spex, the Minutemen, et al. It was a veritable history of punk via outerwear and of course, they were the requisite Sid Vicious lookalikes to boot. (No Nancy lookalikes, though, thank God.)

 By the time we got to the lawn, we heard Captain Sensible say something  about wanting to shag some Britney clones with free tics. I’m sure, I could almost hear them retort. X played a short, ragged set that wasn’t up to their usual high standards.  The fact that they were playing so early in the day was confusing enough, and the generic sound system didn’t help.

 The Buzzcocks played next – I had forgotten how good their songs were. Their sound is unmistakably a precursor to what we name-tag “pop-punk” today. But their music is intelligent and stylized, unlike many of the younger bands trading in the genre. New Found Glory and Blink 182 were two bands that definitely did not belong on the bill with real punk bands. Their music is neither pop nor punk, it’s just sing-songy froth that a Britney Spears/N’Sync fan would find cutting edge or risque. Blink especially got it bad, as they played after Pennywise practically incited the crowd to riot. And who was stationed outside the lawn mosh pit during this time -- yours truly, always one to seek out adventure. A nice moment occurred when the Pennywise, (hardcore hell-raisers from Hermosa Beach) played snippets of Ramones songs and dedicated it to Deedee and Johnny. The free booklet given out to concert-goers was dedicated to the spirit of  Joey and DeeDee Ramone.

 By the time the sun set  it was time for serious action. Bad Religion and Social Distortion railed against the man, government hypocrisy, and such. Of all the new bands, Offspring fared the best - at least they rocked. As I had suspected, many of the younger fans left after their set. Comments on the packed-like-sardines consumerist midway between shows consisted of variations on “Why the hell did I come here? This is the worst day of my life.” 105 degree temperatures, extreme security measures (no safety pins were allowed. At a punk concert? Gosh, I wonder if they busted the girl who heeded John Lydon's  request for a safety pin during the show.) and heinously overpriced food and souvenirs contributed to these sentiments.

 It took about half an hour for the Pistols to come on. It was nerve wracking. but worth it. The moment that little redhead -well, now a platinum haired freak- hit the stage,it was all worth it.  The first song, Bodies, was enough to wake up a crowd wilting from heat exhaustion and 8.00 beers. It was followed in short order by I Wanna Be Me, New York, Pretty Vacant, and the seldom heard Belsen Was A Gas (with the chorus Oy vey!)

 They played everything from Bollocks except Submission. Steve's guitar playing was excellent - some of the best I've ever heard from him - but I  swear he didn't even acknowledge the audience once. Gone are the spandex stretch pants and blow job requests of the ‘96 reunion tour. We stayed at  the side of the stage for the first song.  It was great to glance out and see a crowd of 50,000  plus cheering for the Pistols. They deserve it

 John wore some kinda silky pajama type outfit and had a few multicolored streaks in his platinum hair. First thing he does is bash the concert sponsors - Levis and radio station KROQ.  Some long-haired dude had one of those dry erase boards with rude comments about the band. I didn't see what he held up during the show, but he was walking around backstage writing dumb shit down on it. Well, John sees it, goes ballistic. “You’re in the wrong decade.” (Can't you just hear that sarcastic English accent of his? It was classic!) Then he added, “Funny, me telling you that.” Later, he was adjusting his pants and said something like "No rapper's got a package like that." Hmm, is that why Nora's so ecstatically happy all the time? During "Stepping Stone" he unbuttoned his shirt, and revealed a flat chest & tummy just like he had in '78.


 For most of the Pistols set my boyfriend and I walked back and forth behind the loge. Security wouldn't let us stay backstage after the first song. We had bought lawn tickets as insurance, but kids were packed in like passengers on a Tokyo subway train. No dif. Not to mention over a dozen bonfires were in full force. Needless to say, we couldn't make it back to the lawn. John also made some comment about "I don't live here (Ca.) for no good reason." I must say that at night with the backdrop of the mountains, the Blockbuster Pavilion venue is utterly gorgeous. But security and prices were prohibitive.($5 for a small soda.) Some guy threw a beer on him and it splattered all over his shirt. John lambasted the hapless fan.. “There's some dopey A***hole whose got more money than sense, if you're gonna buy beers f****ing drink 'em, you wuss.”


 The band ended its set with the one-two punch of God Save The Queen and Anarchy In The UK.A lot of kids were leaving and John goes, “I like this, now all the wankers are going home and we're coming on strong.The teeny boppers have left the building” The lone encore was a cover of Silver Machine, a song by Lemmy’s old band, Hawkwind.. John ended by saying "Thanks to the other bands for letting us play, cheers, and don't let the bastards grind you down." The band was amazingly tight and professional. You have to appreciate Glen’s bass playing.  I must say he is like the punk Paul McCartney - still quite handsome at 45. Cookie was pounding on the drums with his customary energy. Is another tour in the works? I hope so.






Sunday, November 14, 2010

Bad Music Programming Killed the Radio Star – But the Internet (and Jonesy’s Jukebox) Pick Up the Slack



Terrestrial radio is now pretty much relegated to teenie-bopper nonsense, bad hip-hop, and talk shows dedicated to  political bickering. So where can a bona fide rock music connoisseur go to escape the overexposed and lowest common denominator sounds of Kanye West, Katy Perry, and Lady Gaga? Why, to the Internet – and to KROQ-FM  - at least on Sunday nights for the reconstituted Jonesy’s Jukebox.

Jonesy is back on KROQ and it's kinda ironic since his former station, Indie 1031, was supposed to knock KROQ out on its butt five years ago. Indie's ascent didn't last, however, and the company's owner, Entravision, pulled the plug on the punk/alt rock format in 2009.   The terrestrial station continues on FM in a Spanish-language format, while the punk/hip alt rock music still flows freely on the Internet. 

Jonesy’s new  Jukebox is on KROQ on Sunday nights 7 p. m. to 9 p.m. Pacific Time. His old partner-in-crime, Mr. Shovel, joins him as producer. The playlist so far lacks the quirky novelty songs and obscure 1970s glam rock of  the old Indie shows. It concentrates on electronica and post-2000 indie rock, like Julian Casablancas, Daft Punk, the Duke Spirit and Black Keys. But there’s the occasional local L.A. band find (Fitz & the Tantrums), and songs by Jonesy favorites like Eno and Primal Scream.

Another respite from the mostly non-existent rock radio landscape can be found on Internet radio oasis ErrorFM. You can find any kind of music here (just like Sirius/XM Satellite Radio), but you don’t have to shell out money to listen. DJs include ex KMET and KLOS staff announcer Larry Woodside, Alan Lohr (BuddhaMan, as mentioned in the previous post on Dolly Rocker Movement) formerly of KROQ. The specialty shows on ErrorFM run the gamut from Pod Zepplin and Floydian Slip to Electrique (electonica) and Donthink ( trip-hop). Every type of music you can think of (and some you haven’t) are offered by freelance DJs from all over the world.

One of the most popular shows on ErrorFM is Cyril’s Hollywood Jukebox, hosted by Cyril A. Ruth, one of the founding members of New Orleans punk band the Normals.  The two-hour show is streamed live on ErrorFM’s Channel 2 on Thursday nights from 8 p.m. to 10 p.m. A recent show featured New York glam, garage, punk and psychedelic bands of the past and present, including the New York Dolls, Fleshtones and new bands London Egg, The Choke and The Above. One of the highlights of the show is a weekly mini-concert featuring a 15-20 minute segment of a live concert. The New York show featured The Chesterfield Kings.