Showing posts with label Beatles. Show all posts
Showing posts with label Beatles. Show all posts

Tuesday, November 30, 2021

Some Initial Comments on "Get Back": Peter Jackson's Documentary About the Beatles' 1969 Recording Sessions

 


Beatles fans flooded Facebook and other social media sites with reviews of Get Back , director Peter Jackson's eight-hour documentary about the Fabs' 1969 recording sessions and rooftop concert, over Thanksgiving weekend. Lots of people who would otherwise never dream of sitting through eight hours of any film on Disney + subscribed to watch Get Back. (Unless you have a grandkid or two, Ice Age, endless Muppet and Star Wars movies, or Wreck-It Ralph, are probably not on your to-watch list.)   

Musicians and other creative people will find most the recording, jamming, and songwriting sessions fascinating. Causal fans and “normal” people. not so much.  

*SPOILERS*

Viewer advisory: Tobacco use (and copious quantities of tea and toast)

Part 1 plods along, but stick with it, things get more interesting when the band moves to Apple studios and Billy Preston joins them.

If you’re a causal fan or easily bored, you may want to stick to Part 3 only. If you get *really* bored easily, the rooftop concert starts an hour before the end of part 3.

Ringo offers comic relief with his fart comment. No one in the studio seems to pay much attention to it, however.

Heather wasn’t taking any of John’s BS (“You don’t eat any cats! They don’t taste good!” ) and it was cute when she imitated Yoko’s caterwauling.

Linda looked really pretty.

Yoko didn't cause any trouble, contrary to the myth. She just sat there (mostly silent) next to John, except for her trademark "singing" during an informal jam.

Ringo wore groovy shirts. I liked George’s Ugg-type boots in Part 3.

Who would have guessed that “Get Back” started out as a protest song about the anti-immigrant movement in the UK.

The police investigating the rooftop concert had a Keystone Cop vibe about 'em - but they were very polite.

John and Yoko had just finished filming Rock and Roll Circus with the Stones, thus John's running gag of, "And now your hosts for this evening, the Rolling Stones." 

Also, John didn’t seem to wash his hair much during this time. Ringo looked like he skipped the shampoo a few times, too

Some people have complained that they didn't like the interviews with pedestrians gazing up at the rooftop, but I enjoyed this exchange:

On-the-street interviewer- “You wouldn’t mind your daughter going out with a Beatle?”
On-the-street geezer - “I wouldn’t mind because they have money.”

John stops playing when Mal tells him about cops on the roof. When Paul sees the cops, he gives an enthusiastic  “Wooo!”

Some musical highlights: 

George helping Ringo work on the chords for "Octopus’s Garden".

Paul playing the melody for what would become "Let it Be" while everyone else mills about.

And Yay!!! A music documentary without Dave Grohl or Bono putting in their 1 1/2 cents! 





Wednesday, January 26, 2011

Music Review: Baby Scream: Self-Titled CD


The self-titled CD by Argentine rockers Baby Scream takes clean power pop and classic rock, then adapts a John Lennon vocal style and binds them together with top-notch production. This CD is Baby Scream’s ninth album since 2002. (The band has existed in one form or another since 2001.) Baby Scream is one band that will certainly never run short on inspiration.

Baby Scream is the brainchild of vocalist/guitarist/songwriter Juan Pablo Mazzola. His brand of Beatles met Cheap Trick pop traverses genres for a sound that defies typecasting. On Jekyll & Hyde, Mazzola channels Strawberry Fields Forever, with just the slightest hint of prog/space rock added in to complete the trippy vibe. The lilting The Ghosts of Valerie (with guest guitarist Eric Dover from Alice Cooper’s band) sounds like a 1980s “skinny tie” band hit filtered through a 1960s one-hit soft psychedelic sound – think of the Peppermint Rainbow’s Are You Staying After Sunday?

Nipone, the lullaby that ends the album, has a Japanese-influenced sound that becomes as haunting as it is gorgeous as the song progresses.  Exile has a Revolver feel with especially dreamy vocals.  

Watching the End of the World (On TV) shares a kinship with Bowie's Five Years ,but after a mellow start, the song revs up to high gear, chugging along like a finely-tuned machine. Along with vocalist/guitarist Mazzola, the band consists of lead guitarist HernĂ¡n Pascual, bass player Raul Marcos, and drummer Claudio Salas. 

Baby Scream has a trippy psychedelic vibe -- call it acoustic psych/power pop, if you really need to label it. The acoustic guitar sound on this CD has a ballsy passion you won’t find in any music with the partial description “folk” The ten songs on Baby Scream have a timeless sound that could fit in with rock music playlists from the ‘60s, ‘70s or early ‘80s.